Boquita… and Something More. Meeting with Marcia Schwartz

  • Tulio Guterman Lecturas: Educación Física y Deportes

Abstract

Marcia Schwartz is an artist committed to her time and to collective memory, who uses her work as a means of expression and reflection. The installation Boquita, the origin of evil is one of her many creations that attempt to draw attention to social and political reality. She defends the importance of art as a way of connecting with history and human emotions, and warns about the limits of artificial intelligence in this area.

Keywords: Art, Soccer, Politics, Society

References

Batalla, J. (2024). Marcia Schvartz: “Hay un montón de gente que pinta porque quiere que su cuadro esté en una caja de seguridad”. Infobae. https://www.infobae.com/cultura/2024/08/03/marcia-schvartz-hay-un-monton-de-gente-que-pinta-porque-quiere-que-su-cuadro-este-en-una-caja-de-seguridad/

Marcia Schvartz. https://www.marciaschvartz.com/

Subiela Salvo, I. (2024). Treinta años de Marcia Schvartz. Página 12. https://www.pagina12.com.ar/760422-treinta-anos-de-marcia-schvartz

Published
2024-09-01
How to Cite
Guterman, T. (2024). Boquita… and Something More. Meeting with Marcia Schwartz. Lecturas: Educación Física Y Deportes, 29(316), 256-261. Retrieved from https://test.efdeportes.com/index.php/EFDeportes/article/view/7874
Section
Informations